The Falcon radio series premiered on the Blue Network on April 10, 1943, continuing on NBC and Mutual until November 27, 1954. Some 70 episodes were produced.
“Drexel Drake” (a pseudonym of Charles H. Huff) created Michael Waring, alias the Falcon, a free-lance investigator and troubleshooter, in his 1936 novel, The Falcon’s Prey. It was followed by two more novels (The Falcon Cuts In, 1937 and The Falcon Meets a Lady, 1938) and a 1938 short story. In 1941, RKO made a movie, The Gay Falcon, based on a 1940 short story, “Gay Falcon,” by Michael Arlen, rechristening Arlen’s Gay Stanhope Falcon as Gay Lawrence aka the Falcon. It became a film series, and its popularity led eventually to the radio series.
No explanation for the nickname was ever mentioned in any of the dramatizations. The Michael Waring Falcon was also the hero in three late 1940s movies starring John Calvert, and a television series starring Charles McGraw.
The Adventures of the Falcon was based and produced in New York, which allowed the crème de la crème of its radio talent to frequently perform on the program; among the actors heard in support: Mandel Kramer (as Sgt. Johnny Gleason), Ken Lynch (Sgt. Corbett), Joan Banks, Robert Dryden, Elspeth Eric, John Gibson and Everett Sloane.
The radio plots mixed danger, romance and comedy in equal parts. Each show began with a telephone ringing and Michael Waring, the Falcon, answering the phone. Speaking with a woman whose voice was never heard, Waring would explain that he had an urgent situation in which he had to deal with criminals. This led into the standard opening, followed by the week’s tale of adventure. Often, incompetent police were unable to solve the mysteries without his help.
The sponsors (Gem Razor Blades and Kraft Foods – Miracle Whip) certainly made their presence felt throughout the pre 1952 series with perhaps the most innovative and possible annoying being announcer Ed Herlihy when he plugged Miracle Whip in a string of episode.
Actors who portrayed the Falcon on radio: Berry Kroeger (1943), James Meighan (1945–47),Les Tremayne (late 1940s), Les Damon (early 1950s) and George Petrie.
Ed Herlihy and Jack Costello were the announcers.
The Falcon can be heard of the Sci-fi & Superheroes Channel on the ROK Classic Radio OTR Network!
William (Bud) Abbott and Lou Costello performed together as Abbott and Costello, an American comedy duo whose work on stage, radio, film and television made them the most popular comedy team during the 1940s, as well as a top ten box office draw for a full decade (1942—1952).
The team’s first known radio appearance was on The Kate Smith Hour in February, 1938. Initially, the similarities between their voices made it difficult for listeners (as opposed to stage audiences) to tell them apart due to their rapid-fire repartee.
The problem was solved by having Costello affect a high-pitched childish voice. “Who’s on First?” was first performed for a national radio audience the following month.
They stayed on the program as regulars for two years, while landing roles in a Broadway revue, “The Streets of Paris”, in 1939.
In 1940 they were signed by Universal Studios for the film One Night in the Tropics. Cast in supporting roles, they stole the show with several classic routines, including “Who’s on First?” The same year they were a summer replacement on radio for Fred Allen. Two years later, they had their own NBC show.
After working as Allen’s summer replacement, Abbott and Costello joined Edgar Bergen and Charlie McCarthy on The Chase and Sanborn Hour in 1941, while two of their films (Buck Privates and Hold That Ghost) were adapted for Lux Radio Theater. They launched their own weekly show October 8, 1942, sponsored by Camel cigarettes.
The Abbott and Costello Show mixed comedy with musical interludes (by vocalists such as Connie Haines, Ashley Eustis, the Delta Rhythm Boys, Skinnay Ennis, and the Les Baxter Singers). Regulars and semi-regulars on the show included Artie Auerbach (“Mr. Kitzel”), Elvia Allman, Iris Adrian, Mel Blanc, Wally Brown, Sharon Douglas, Verna Felton, Sidney Fields, Frank Nelson, Martha Wentworth, and Benay Venuta. Ken Niles was the show’s longtime announcer, doubling as an exasperated foil to Abbott and Costello’s mishaps (and often fuming in character as Costello routinely insulted his on-air wife).
Niles was succeeded by Michael Roy, with announcing chores also handled over the years by Frank Bingman and Jim Doyle. The show went through several orchestras during its radio life, including those of Ennis, Charles Hoff, Matty Matlock, Matty Malneck, Jack Meakin, Will Osborne, Fred Rich, Leith Stevens, and Peter van Steeden. The show’s writers included Howard Harris, Hal Fimberg, Parke Levy, Don Prindle, Eddie Cherkose (later known as Eddie Maxwell), Leonard B. Stern, Martin Ragaway, Paul Conlan, and Eddie Forman, as well as producer Martin Gosch. Sound effects were handled primarily by Floyd Caton.
In 1947 Abbott and Costello moved the show to ABC (the former NBC Blue Network). During their time on ABC, the duo also hosted a 30-minute children’s radio program (The Abbott and Costello Children’s Show), which aired Saturday mornings, featuring child vocalist Anna Mae Slaughter and child announcer Johnny McGovern.
Both Abbott and Costello met and married women they knew in burlesque. Bud Abbott married Betty Smith in 1918, and Lou Costello married Anne Battler in 1934. The Costellos had four children; the Abbotts adopted two.
Abbott and Costello faced personal demons at times. Both were inveterate gamblers and had serious health problems. Abbott suffered from epilepsy and turned to alcohol for pain management. Costello had occasional, near-fatal bouts with rheumatic fever. On November 4, 1943, the same day that Costello returned to radio after a one year layoff due to his illness with rheumatic fever, his infant son “Butch” (born November 6, 1942) died in an accidental drowning in the family’s swimming pool.
During 1945, a rift developed when Abbott hired a domestic servant who had been fired by Costello. Angered by Abbott’s decision, Costello refused to speak to his partner except when performing. The team’s films of 1946 reflect the split, with the comedians appearing separately in character roles. Abbott resolved the rift in 1947 when he volunteered to help with Costello’s pet charity, a foundation for underprivileged children.
In the 1950s Abbott and Costello’s popularity waned as their place as filmdom’s hottest comedy team was taken by Dean Martin and Jerry Lewis. Universal dropped the comedy team in 1955, and after one more independent film, Bud Abbott retired from performing.
In 1956, the Internal Revenue Service charged them for back taxes, forcing them to sell their homes and most of their assets, including their film rights. In 1957 they formally dissolved their partnership.
Lou Costello made about ten solo appearances on The Steve Allen Show and headlined in Las Vegas. He appeared in episodes of GE Theater and Wagon Train. On March 3, 1959, shortly after making his lone solo film, The 30 Foot Bride of Candy Rock, Lou Costello died of a heart attack just short of his 53rd birthday.
A depressed Bud Abbott attempted a comeback in 1960, teaming with Candy Candido. Although the new act received good reviews, Bud quit, saying, “No one could ever live up to Lou.”
Abbott made a solo appearance on an episode of GE Theater in 1961. In 1966 Bud voiced his character in a series of 156 five-minute Abbott and Costello cartoons made by Hanna-Barbera. Lou’s character was voiced by Stan Irwin. Bud Abbott died of cancer on April 24, 1974.
The Abbott & Costello Show, The Baseball Player including the iconic ‘Who’s on First’ from the 17th April 1947
The Abbott and Costello Show can be heard on the American Comedy Channel at the following times:
Every weekday at 04:00 GMT
Saturday at 16:00 GMT
Sunday at 08:00 GMT
Sam Spade is a fictional character who is the protagonist of Dashiell Hammett’s novel The Maltese Falcon (1930) and the various films and adaptations based on it, as well as in three lesser known short stories by Hammett.
The novel, first published as a serial in the pulp magazine Black Mask, is the only one that Spade appears in, yet the character is widely cited as the crystallizing figure in the development of the hard-boiled private detective genre – Raymond Chandler’s character Philip Marlowe, for instance, was strongly influenced by Hammett’s Spade.
Spade was a departure from Hammett’s nameless and less than glamorous detective, The Continental Op. Sam Spade combined several features of previous detectives, most notably his cold detachment, keen eye for detail, and unflinching determination to achieve his own justice. He is the man who has seen the wretched, the corrupt, the tawdry side of life but still retains his “tarnished idealism”.
On the radio, Sam Spade was played by Bogart in a 1943 Screen Guild Theater production and a 1946 Academy Award Theater production. He was also played by Edward G. Robinson in a 1943 Lux Radio Theatre production.
The Adventures of Sam Spade
The Adventures of Sam Spade ran from 1946-1951 (on ABC, CBS, and NBC) and starred Howard Duff (and later Steve Dunne) as “Sam Spade” and Lurene Tuttle as Spade’s devoted secretary “Effie Perrine”, and took a considerably more tongue-in-cheek approach to the character.
The show ran for 13 episodes on ABC in 1946, for 157 episodes on CBS in 1946-1949, and finally for 51 episodes on NBC in 1949-1951. The series was largely overseen by producer/director William Spier. In 1947, scriptwriters Jason James and Bob Tallman received an Edgar Award for Best Radio Drama from the Mystery Writers of America.
The series had a commercial that is well remembered. Wildroot Cream Oil. Wildroots catch phrase was, “A little dab’l do you.” The melody “Cream Oil Charlie” was copyrighted on 01/27/46 for Tad Dameron & Woody Herman by the Charling Music Corp., New York. Each of the broadcasts were 30 minutes in length.
Dashiell Hammett’s name was removed from the series in the late 1940s because he was being investigated for involvement with the Communist Party. Later, when Howard Duff’s name appeared in the Red Channels book, he was not invited to play the role when the series made the switch to NBC in 1950.
Born on May 27, 1894, he was a veteran of World War II, serving as a Sergeant in Alaska.
He was a member of the Civil Rights Congress, a liberal political group which was targeted by the Federal Bureau of Investigation (FBI) as being a Communist front. He refused to name contributors to the organization and was sentenced to six months in jail for that refusal.
He later became a virtual recluse in the tiny village of Katonah, New York, partly due to chronic health problems.
He died there on January 10, 1961 and, as was his wish, he was buried in Section 12 of Arlington National Cemetery. At one point, FBI Director J. Edgar Hoover attempted to block the burial but was overruled in that attempt.
You can hear episodes of The Adventures of Sam Spade on both the Crime & Suspense Channel and Heritage Gold.
Opening in 1875, the Crime Museum at Scotland Yard is the oldest museum in the world purely for recording crime. The name “Black Museum” was coined in 1877 by a reporter from “The Observer”, a London newspaper, although the museum is still referred to as the Crime Museum. It is this museum that inspired The Black Museum radio series, produced in London by Harry Alan Towers.
From Jay Hickerson’s “The Ultimate History of Network Radio Programming and Guide To All Circulating Shows”, the earliest US broadcast date was January 1, 1952. Thirty nine shows, from the full syndication of fifty two shows, aired over Mutual stations from January 1, 1952 through June 24, 1952 and September 30, 1952 through December 30, 1952.
This may be the earliest broadcast of the series worldwide. It was later broadcast over Radio Luxembourg starting May 7, 1953. Radio Luxembourg broadcast sponsored programs at night to England (the BBC was state-owned and had no commercials). The shows were sponsored by Dreft and Mirro (cleaning products).
The series continued to be offered in syndication and was heard on AFRTS broadcasts and in the US on NPR stations through the 1960’s, 70’s and 80’s. Some shows were broadcast by the BBC in England in 1994.
This murder mystery series was based on true life cases from Scotland Yard’s files. Each episode was based on an item or items of evidence in the museum.
Orson Welles hosted and narrated the shows. Mr. Welles opened each show slightly differently but followed a standard format. For example, the show, “The Bathtub”, open as follows:
“This is Orson Welles speaking from London.” (Big Ben starts himing in the background). “The Black Museum, repository of death… Here, in this grim stone structure on the Thames which houses Scotland Yard, is a warehouse of homocide, where everyday objects, a piece of wire, a chemist’s flask, a silver shilling, all are touched by murder.” (dramatic music)
Following the opening, Mr. Welles would introduce the museum’s item or items of evidence that was central to the case, leading into the dramatization. He also provided narration during the show and ended each show with his characteristic closing from the days of his Mercury Theater of the Air, remaining “obediently yours”.
Harry Alan Towers produced the series from scripts written by Ira Marion. Music was composed and conducted by Sidney Torch.
The museum was not open to the general public. It’s purpose was then, and still is, for police training, although it did receive a considerable number of famous people, including Sir Arthur Conan Doyle. It is currently used as a lecture theater for the police and like bodies in various subjects of Criminology. But, thanks to Mr. Towers and Mr. Welles, we can still get a glimpse of what secrets are housed in The Black Museum.
Listen to The Black Museum of ROK Classic Radio OTR!
Steptoe and Son is a British sitcom written by Ray Galton and Alan Simpson about two rag and bone men living in Oil Drum Lane, a fictional street in Shepherd’s Bush, London. Four series were broadcast by the BBC from 1962 to 1965, followed by a second run from 1970 to 1974. Its theme tune, “Old Ned”, was composed by Ron Grainer. The series was voted 15th in a 2004 BBC poll to find Britain’s Best Sitcom of all time. It was remade in the US as Sanford and Son.
The father, Albert Edward Ladysmith Steptoe (portrayed by Wilfrid Brambell), was born on 26 September 1899 (father not known but believed to be a local muffin man, now dead; the portrait he keeps of his father is in fact William Gladstone), though he always let on that he had been born in 1901.
He appears to have joined the army underage at the start of the First World War, and is seen wearing the Mons Star medals to prove it. He served with the British Expeditionary Force to Archangel, White Russia, in 1919. Steptoe Senior is lazy, stubborn, narrow-minded, foul-mouthed, and has revolting personal habits. Albert is content with his place in the world, utterly unpretentious and downright cynical. He can be extremely vindictive and does everything he can to prevent Harold, his son, improving himself—especially if it means him leaving home. He is normally unshaven and wears a very old pair of false teeth, discoloured and with teeth missing. His wife died in 1936. He mentioned in one episode that he was one of fourteen children.
Harold Albert Kitchener Steptoe (played by Harry H. Corbett), born 1925 (Corbett’s birth date) for the 1960s series (or born 1932 for the 1970s series) and educated at Scrubb’s Lane Elementary School is also obstinate, though prone to moments of enthusiasm about an idea.
He wants to move up in the world—most of all to escape from the family home and his stifling relationship with his father which was the subject of the first episode, “The Offer”. Harold has aspirations. He likes to see his business as being in antiques rather than junk. He bitterly regrets leaving the army, in which his service took him to Malaya and he achieved the rank of Corporal, and he nearly always wears a workman’s belt adorned with army cap badges. During the 1960s series he had been a veteran of the second World War but as he was ‘de-aged’ during the 1970s series this was never mentioned again. He is a dreamer and idealist. Politically, Harold is a Labour supporter who is appalled at his father who is a Conservative Party supporter. He aims to improve his mind and his social circle but always fails, often thanks to Albert’s deliberate put-downs or sabotage. Harold’s exasperation and disgust at his father’s behaviour often results in his repeating the catchphrase “You dirty old man.”
The episodes often revolve around (sometimes violent) disagreements between the two men, Harold’s attempts to bed women and momentary interest over things found on his round. As with many of the best examples of British comedy, much of the humour derives from the pathos of the protagonists’ situation, especially Harold’s continually-thwarted (usually by the elder Steptoe) attempts to “better himself” and the unresolvable love/hate relationship that exists between the pair.
A common theme is that Albert almost always comes out on top. Despite his lack of effort Albert routinely and easily proves himself superior to his son whenever they come into competition, such as in their frequent game-playing, e.g., the Scrabble and badminton games from the 1972 series. Harold takes them desperately seriously and sees them as symbols of his desire to improve himself, but they come to nothing every time. His father’s success is partly down to superior talent but aided by cynical gamesmanship and undermining of his son’s confidence. In addition, Albert habitually has better judgement than his son, who blunders into all sorts of con-tricks and blind alleys as a result of his unrealistic, straw-clutching ideas. Occasionally the tables are turned, but overall the old man is the winner, albeit in a graceless fashion.
Harold is infuriated by these persistent frustrations and defeats, even going to the extent in “Divided We Stand” (1972) of partitioning the house in two so he doesn’t have to share with his selfish, uncultured and negative father. Predictably, his plan ends in failure and ultimately he can see no way out. However, for all the bitterness there is an essential bond between the pair.
The Steptoe radio series started on 3 July 1966, when the very first episode “The Offer” was broadcast. There were six series in all.
All of the radio episodes were reworking’s of the original television programmes, therefore some of the more visual episodes were not considered for radio. While it is possible for a radio audience to use their imagination to create almost any circumstance, the amount of additional dialogue required to re-create an episode like “Divided We Stand”, where the entire house is split in two, would either mean that the episode would overrun or most likely lose some of it’s impact.
The radio episodes have been broadcast continuously since they were made and can still be heard from time to time on BBC7, the BBC’s spoken word digital radio service and now all of the radio episodes including the Christmas specials can be heard on ROK Classic Radio OTR!
“Dad’s Army” was a long running British comedy series created and written by Jimmy Perry and David Croft. The idea of a series came to Jimmy Perry when he realised that many people had forgotten about the contribution the Home Guard had made to the British Home Front during the years of the Second World War.
Commencing in 1968, “Dad’s Army” ran on BBC Television for 9 years with over eighty episodes spread within 10 series. The series is set in a small fictional seaside town called Walmington-on-Sea somewhere on the South Coast of England.
“Dad’s Army” is also remembered for its first class actors which starred amongst its credits, Arthur Lowe as Captain Mainwaring, John Le Mesurier as Sergeant Arthur Wilson and Clive Dunn as Lance Corporal Jack Jones.
67 of Jimmy Perry and David Croft’s Television Scripts for “Dad’s Army” were adapted for BBC Radio by Harold Snoad and Michael Knowles between 1973 and 1975. They were recorded at The Playhouse Theatre, Northumberland Avenue, London and at The Paris Studios, Lower Regent Street, London.
All episodes were recorded in Mono and exist on Magnetic Tape in the BBC Sound Archive.
The Radio Series began on Monday 24th January 1974 and ran for three series with its final episode been broadcast on 7th September 1976. The Series was generally given two air periods a week on BBC Radio 4, the second of which would be a repeat.
Private Frank Pike (Ian Lavender)—a cosseted mother’s boy, constantly wearing a thick scarf with his uniform to prevent illness, and often the target of Mainwaring’s derision (“Stupid boy!”). He also works under Mainwaring in his day-job as assistant bank clerk.
Private Charles GodfreyMM (Arnold Ridley)—he is the platoon’s medical orderly. He was always getting caught short and needed to (“be excused”). A conscientious objector during WWI, he nevertheless was awarded a Military Medal for heroic actions during the war, and demonstrated bravery in the home guard as well.
ARP Warden William Hodges (Bill Pertwee)—the platoon’s major rival and nemesis. He was looked down on by Mainwaring for being a common greengrocer. As an ARP Warden he was always demanding people to (“Put that light out!”).